Author: Mr. Cranky Page 3

At first, I thought the sword sequences were in slow-motion, but then I realized these guys just suck.

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This feels like it must have been the first draft of the script. In the case of Anchorman, if there's a completed first draft to be found at all, I'll lick a theater floor clean.

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The weird part about the advertising for Midnight in Paris is that it wasn't at all presented as some kind of time travel fantasy, which meant I left my aviator goggles and opium ampoules at home.

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Steve Guttenberg and a friendship between a dog and a dolphin – in what fiery pit of hell was this heartwarming plot conjured?

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Barb Wire is unlikely to spark heated intellectual debate at film schools anytime soon.

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The incompetent who directed this film is Mike Mitchell, who’s probably some buddy of (Rob) Schneider and Adam Sandler, and whose main talent up until this point was cleaning potato chip crumbs off Sandler’s couch.

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It’s truly rare that you see this level of insightful childhood psychoanalysis in a film about a basketball-playing dog.

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Watching Bride Wars is like being dragged to your third cousin’s niece’s wedding, then finding out that they’re not even serving alcohol at the reception.

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Another half-baked helping of the worst kind of scientific clap-trap.

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In this day and age, there’s simply no good excuse for having that many children.

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This had all the drama of a traffic jam.

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There is some serious venom spewing from this movie, probably because screenwriters Steve Franks and Tim Herlihy are beginning to realize their only talent in life consists of riding their friend’s coattails through the Garden of Mediocrity.

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What’s next for (Director Paul W.S.) Anderson? Maybe “Hannibal 2,” in which Anthony Hopkins escorts a group of toddlers to Chuck E. Cheese?

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If I were a cop and I had seen both Scream and I Know What You Did Last Summer, I'd be at writer Kevin Williamson’s house searching it for drugs. If I didn't find something, I'd plant a kilo of heroin in his ass for writing this piece of crap.

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Thor is really just like your dad out in the garage after a few drinks. Only more racist.

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[Director Michael] Caton-Jones has about as much understanding of symbol and metaphor as a sock puppet.

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Anybody who refers to this film as “brilliant” is a moron.

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You know when an actress like Claire Forlani starts making fun of other actresses for being anorexic, the film is operating in another dimension.

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There’s saccharine writing and then there’s writing that, if you could liquefy it and inject it into the five-year-olds watching this thing, would launch them into space. This is the latter.

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