Author: Roger Ebert

It was W. C. Fields who hated to appear in the same scene with a child, a dog, or a plunging neckline – because nobody in the audience would be looking at him. Jennifer Aniston has the same problem in this movie even when she’s in scenes all by herself.

(1942 – 2013) American film critic, journalist & screenwriter

Troy is based on the epic poem The Iliad by Homer, according to the credits. Homer’s estate should sue.

(1942 – 2013) American film critic, journalist & screenwriter

Parents: If you encounter teenagers who say they liked this movie, do not let them date your children.

(1942 – 2013) American film critic, journalist & screenwriter

Perhaps it was made by beings from another planet, who were able to watch our television in order to absorb key concepts such as cars, sex, leukemia, and casinos, but formed an imperfect view of how to fit them together.

(1942 – 2013) American film critic, journalist & screenwriter

Mad Dog Time is the first movie I have seen that does not improve on the sight of a blank screen viewed for the same length of time.

(1942 – 2013) American film critic, journalist & screenwriter

Little Indian, Big City is one of the worst movies ever made. I detested every moronic minute of it…if you, under any circumstances, see Little Indian, Big City, I will never let you read one of my reviews again.

(1942 – 2013) American film critic, journalist & screenwriter

Matthew McConaughey and Kate Hudson star. … If I were taken off the movie beat and assigned to cover the interior design of bowling alleys, I would have some idea of how they must have felt as they made this film.

(1942 – 2013) American film critic, journalist & screenwriter

Battlefield Earth is like taking a bus trip with someone who has needed a bath for a long time. It's not merely bad; it's unpleasant in a hostile way.

(1942 – 2013) American film critic, journalist & screenwriter

It's the worst kind of bad film: the kind that gets you all worked up and then lets you down, instead of just being lousy from the first shot.

(1942 – 2013) American film critic, journalist & screenwriter

You used to be able to depend on a bad film being poorly made. No longer. The Punisher: War Zone [sic] is one of the best-made bad movies I’ve seen… Its only flaw is that it’s disgusting.

(1942 – 2013) American film critic, journalist & screenwriter

This is an old idea, beautifully expressed by Wordsworth, who said, ‘Heaven lies about us in our infancy.’ If I could quote the whole poem instead of completing this review, believe me, we’d all be happier. But I press on.

(1942 – 2013) American film critic, journalist & screenwriter

Wild Wild West is a comedy dead zone. You stare in disbelief as scenes flop and die. The movie is all concept and no content; the elaborate special effects are like watching money burn on the screen…

(1942 – 2013) American film critic, journalist & screenwriter

If you want to save yourself the ticket price, go into the kitchen, cue up a male choir singing the music of hell, and get a kid to start banging pots and pans together. Then close your eyes and use your imagination.

(1942 – 2013) American film critic, journalist & screenwriter

I've been reviewing movies for a long time, and I can't think of one that more dramatically shoots itself in the foot.

(1942 – 2013) American film critic, journalist & screenwriter

Saving Silverman is so bad in so many different ways that perhaps you should see it, as an example of the lowest slopes of the bell-shaped curve.

(1942 – 2013) American film critic, journalist & screenwriter

Since the scenes where they're together are so much less convincing than the ones where they fall apart, watching the movie is like being on a double-date from hell.

(1942 – 2013) American film critic, journalist & screenwriter

I would rather eat a golf ball than see this movie again.

(1942 – 2013) American film critic, journalist & screenwriter

The best thing about it is that it runs for only 75 minutes.

(1942 – 2013) American film critic, journalist & screenwriter

Was there no one connected with this project who read the screenplay, considered the story, evaluated the proposed film and vomited?

(1942 – 2013) American film critic, journalist & screenwriter

I will one day be thin… but Vincent Gallo will always be the director of The Brown Bunny.

(1942 – 2013) American film critic, journalist & screenwriter

Valentine's Day is being marketed as a Date Movie. I think it's more of a First-Date Movie. If your date likes it, do not date that person again. And if you like it, there may not be a second date.

(1942 – 2013) American film critic, journalist & screenwriter