Author: Roger Ebert Page 2

It's the worst kind of bad film: the kind that gets you all worked up and then lets you down, instead of just being lousy from the first shot.

(1942 – 2013) American film critic, journalist & screenwriter

Pearl Harbor is a two-hour movie squeezed into three hours…

(1942 – 2013) American film critic, journalist & screenwriter

Mad Dog Time is the first movie I have seen that does not improve on the sight of a blank screen viewed for the same length of time.

(1942 – 2013) American film critic, journalist & screenwriter

Perhaps it was made by beings from another planet, who were able to watch our television in order to absorb key concepts such as cars, sex, leukemia, and casinos, but formed an imperfect view of how to fit them together.

(1942 – 2013) American film critic, journalist & screenwriter

The Last Airbender is an agonizing experience in every category I can think of and others still waiting to be invented.

(1942 – 2013) American film critic, journalist & screenwriter

John Waters’ Pink Flamingos has been restored for its 25th anniversary revival, and with any luck at all that means I won’t have to see it again for another 25 years. If I haven’t retired by then, I will.

(1942 – 2013) American film critic, journalist & screenwriter

Young men: If you attend this crap with friends who admire it, tactfully inform them they are idiots. Young women: If your date likes this movie, tell him you’ve been thinking it over, and you think you should consider spending some time apart.

(1942 – 2013) American film critic, journalist & screenwriter

To call A Lot Like Love dead in the water is an insult to water.

(1942 – 2013) American film critic, journalist & screenwriter

I've seen audits that were more thrilling.

(1942 – 2013) American film critic, journalist & screenwriter

You used to be able to depend on a bad film being poorly made. No longer. The Punisher: War Zone [sic] is one of the best-made bad movies I’ve seen… Its only flaw is that it’s disgusting.

(1942 – 2013) American film critic, journalist & screenwriter

Last year, I reviewed a nine-hour documentary about the lives of Mongolian yak herdsmen, and I would rather see it again than sit through The Frighteners.

(1942 – 2013) American film critic, journalist & screenwriter

Add it all up, and what you’ve got here is a waste of good electricity. I’m not talking about the electricity between the actors. I’m talking about the current to the projector.

(1942 – 2013) American film critic, journalist & screenwriter

They say state-of-the-art special effects can create the illusion of anything on the screen, and now we have proof: It's possible for the Jim Henson folks and Industrial Light and Magic to put their heads together and come up with the most repulsive single creature in the history of special effects, and I am not forgetting the Chucky doll…

(1942 – 2013) American film critic, journalist & screenwriter

You know you’re in trouble when you’re reduced to praising a movie for its absence of fart jokes, and have to add ‘almost.’

(1942 – 2013) American film critic, journalist & screenwriter

Since the scenes where they're together are so much less convincing than the ones where they fall apart, watching the movie is like being on a double-date from hell.

(1942 – 2013) American film critic, journalist & screenwriter

Deuce Bigalow: European Gigolo makes a living cleaning fish tanks and occasionally prostituting himself. How much he charges I'm not sure, but the price is worth it if it keeps him off the streets and out of another movie.

(1942 – 2013) American film critic, journalist & screenwriter

This is an old idea, beautifully expressed by Wordsworth, who said, ‘Heaven lies about us in our infancy.’ If I could quote the whole poem instead of completing this review, believe me, we’d all be happier. But I press on.

(1942 – 2013) American film critic, journalist & screenwriter

Caligula is sickening, utterly worthless, shameful trash. If it is not the worst film I have ever seen, that makes it all the more shameful.

(1942 – 2013) American film critic, journalist & screenwriter

I had a colonoscopy once, and they let me watch it on TV. It was more entertaining than The Brown Bunny.

(1942 – 2013) American film critic, journalist & screenwriter

Spice World is obviously intended as a ripoff of A Hard Day's Night which gave The Beatles to the movies… the huge difference, of course, is that the Beatles were talented — while, let's face it, the Spice Girls could be duplicated by any five women under the age of 30 standing in line at Dunkin' Donuts.

(1942 – 2013) American film critic, journalist & screenwriter

Valentine's Day is being marketed as a Date Movie. I think it's more of a First-Date Movie. If your date likes it, do not date that person again. And if you like it, there may not be a second date.

(1942 – 2013) American film critic, journalist & screenwriter