Author: Roger Ebert Page 2

John Waters’ Pink Flamingos has been restored for its 25th anniversary revival, and with any luck at all that means I won’t have to see it again for another 25 years. If I haven’t retired by then, I will.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

The director, whose name is Pitof, was probably issued with two names at birth and would be wise to use the other one on his next project.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

I urgently advise hospitals: Do not make the DVD available to your patients; there may be an outbreak of bedpans thrown at TV screens.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

Boat Trip arrives preceded by publicity saying many homosexuals have been outraged by the film. Now that it's in theaters, everybody else has a chance to join them. Not that the film is outrageous. That would be asking too much. It is dim-witted, unfunny, too shallow to be offensive…

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

Wild Wild West is a comedy dead zone. You stare in disbelief as scenes flop and die. The movie is all concept and no content; the elaborate special effects are like watching money burn on the screen…

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

I will one day be thin… but Vincent Gallo will always be the director of The Brown Bunny.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

Parents: If you encounter teenagers who say they liked this movie, do not let them date your children.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

If you plan to miss this movie, better miss it quickly; I doubt if it’ll be around to miss for long.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

Caligula is sickening, utterly worthless, shameful trash. If it is not the worst film I have ever seen, that makes it all the more shameful.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

I've been reviewing movies for a long time, and I can't think of one that more dramatically shoots itself in the foot.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

I would rather eat a golf ball than see this movie again.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

Pearl Harbor is a two-hour movie squeezed into three hours…

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

You know you’re in trouble with a sequel when the word of mouth advises you to see the first movie twice instead.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

Add it all up, and what you’ve got here is a waste of good electricity. I’m not talking about the electricity between the actors. I’m talking about the current to the projector.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

This movie is not merely bad, but incompetent. I get tapes in the mail from 10th graders that are better made than this… I have often asked myself, “What would it look like if the characters in a movie were animatronic puppets created by aliens with an imperfect mastery of human behavior?” Now I know.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

They say state-of-the-art special effects can create the illusion of anything on the screen, and now we have proof: It's possible for the Jim Henson folks and Industrial Light and Magic to put their heads together and come up with the most repulsive single creature in the history of special effects, and I am not forgetting the Chucky doll…

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

You used to be able to depend on a bad film being poorly made. No longer. The Punisher: War Zone [sic] is one of the best-made bad movies I’ve seen… Its only flaw is that it’s disgusting.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

Mad Dog Time is the first movie I have seen that does not improve on the sight of a blank screen viewed for the same length of time.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

The movie is being revived around the country for midnight cult showings. Midnight is not late enough.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

You know when sometimes a film catches fire inside a projector? If it happened with this one, I suspect the audience might cheer.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism

Saving Silverman is so bad in so many different ways that perhaps you should see it, as an example of the lowest slopes of the bell-shaped curve.

(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism