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Author: Roger Ebert Page 2
Caligula
is sickening, utterly worthless, shameful trash. If it is not the worst film I have ever seen, that makes it all the more shameful.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
“Caligula”
No matter what they're charging to get in, it's worth more to get out.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
Armageddon
Since the scenes where they're together are so much less convincing than the ones where they fall apart, watching the movie is like being on a double-date from hell.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
“The Break-Up”
To call it an anticlimax would be an insult not only to climaxes but to prefixes.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
“The Village”
The Last Airbender
is an agonizing experience in every category I can think of and others still waiting to be invented.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
“The Last Airbender”
You used to be able to depend on a bad film being poorly made. No longer.
The Punisher: War Zone
[sic] is one of the best-made bad movies I’ve seen… Its only flaw is that it’s disgusting.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
Review of “Punisher: War Zone”
They say state-of-the-art special effects can create the illusion of anything on the screen, and now we have proof: It's possible for the Jim Henson folks and Industrial Light and Magic to put their heads together and come up with the most repulsive single creature in the history of special effects, and I am not forgetting the Chucky doll…
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
Review of “Jack Frost”
My guess is that African Americans will be offended by the movie, and whites will be embarrassed. The movie will bring us all together, I imagine, in paralyzing boredom.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
Of the film “B.A.P.S”
The director, whose name is Pitof, was probably issued with two names at birth and would be wise to use the other one on his next project.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
“Catwoman”
If I ever do a festival of films that deserve to be overlooked,
Friends & Lovers
is my opening night selection.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
“Friends and Lovers”
Valentine's Day
is being marketed as a Date Movie. I think it's more of a First-Date Movie. If your date likes it, do not date that person again. And if you like it, there may not be a second date.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
Valentine's Day
If you plan to miss this movie, better miss it quickly; I doubt if it’ll be around to miss for long.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
“Americathon”
The best thing about it is that it runs for only 75 minutes.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
“Deuce Bigalow”
Little Indian, Big City
is one of the worst movies ever made. I detested every moronic minute of it…if you, under any circumstances, see
Little Indian, Big City,
I will never let you read one of my reviews again.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
“Little Indian
Big City”
I will one day be thin… but Vincent Gallo will always be the director of
The Brown Bunny.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
“The Brown Bunny”
Young men: If you attend this crap with friends who admire it, tactfully inform them they are idiots. Young women: If your date likes this movie, tell him you’ve been thinking it over, and you think you should consider spending some time apart.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
“Battle: Los Angeles”
I've seen audits that were more thrilling.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
“Crocodile Dundee In Los Angeles”
You know you’re in trouble with a sequel when the word of mouth advises you to see the first movie twice instead.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
“The Twilight Saga: New Moon”
Add it all up, and what you’ve got here is a waste of good electricity. I’m not talking about the electricity between the actors. I’m talking about the current to the projector.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
Review of “One Woman or Two”
Perhaps it was made by beings from another planet, who were able to watch our television in order to absorb key concepts such as cars, sex, leukemia, and casinos, but formed an imperfect view of how to fit them together.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
“Breaking the Rules”
Matthew McConaughey and Kate Hudson star. … If I were taken off the movie beat and assigned to cover the interior design of bowling alleys, I would have some idea of how they must have felt as they made this film.
Roger Ebert
(1942 – 2013) American film critic, journalist & screenwriter
Reviews/Criticism
“How To Lose A Guy In 10 Days”
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